That's one of the problems. If you have a streaming hit, let's say in the United States, and it gets 100 million streams worldwide, that could generate between $130,000 and $220,000 for the label and the artist. But when Canada's Copyright Board addressed tariff no. 8, they established a rate that is 10% of that in the United States. If a Canadian artist, for instance, were miraculously to have 100 million streams, they would manage to make $10,200.
