Yes, I do and I have a couple of things to add.
First, the entire model has changed over the years. Years ago when an artist created a recording or signed a record deal with a label, they would be getting a portion of the sales, and they would go out and tour to support the interest in that particular album, and they'd be making money from the tickets sales, of course, but the whole idea of touring was to sell more CDs or more vinyl. If it was a hit, it would be a lucrative way of earning money.
Now, of course, it's upside down. The artist is not making nearly as much money, and CD sales are in the tank. It's all about streaming, and they're getting a fraction of a penny per million streams, and they're told, “Okay, you have to go out and tour” but the way to make money is to sell some T-shirts and some CDs while you're on the road. It's no longer about paying for the music. It's now about the paraphernalia that goes with it.
Also, to what my colleague was talking about concerning broadcast, one of the things we see as well is, when there is a production of a movie or a television show, and a composer is hired in this country, many times now we see the scoring done overseas. The musicians in Prague will be utilized rather than Canadian musicians. That's unconscionable, but it's another reason the revenue streams for our musicians keep going down, because so much of it is being outsourced overseas.