I don't see that as being a discriminatory problem. You're correct to point out that it would seem to me that the older a piece of art is, the greater the difficulty with authenticating it. I understand that, but when I was talking about the exhibition right, that's a very bright line, that date in 1988. Here we're talking about a whole host of other factors that might affect the authenticity of a piece of a work of art. It's not according to a bright line in a statute that Parliament has passed. It's according to those other factors. That's why I don't see that as being a charter-offensive problem. It could still be a problem, but it's not charter-offensive.
You referred to the government getting involved in assessing this and determining authenticity. The proposal that we've made is for the government to not be involved. It would be a copyright collective that would administer this system.